Tag Archives: The Grove

Fences

August 11th, 2019 | 14 Comments »

Fences come in all shapes and sizes, yet in one way or another they all serve the same purpose: to separate one area from another. At Glen Villa, my garden in Quebec, the oldest fence separates a former farm field from a driveway.

 

It's obvious that this barbed wire fence is old -- the maple tree has grown around it.
It’s obvious from the way the tree has grown around it that this barbed wire fence was put up a long time ago.

 

An equally practical but more decorative fence is the one I designed to protect shrubs from the deer that are such a plague in country gardens. I found the style so effective that I’ve used it in fences in the upper and lower fields, the Asian meadow and the Upper Room.

 

I designed this fence made of steel posts and wire cable to be attractive but as invisible as possible from a distance.
I designed this fence made of steel posts and wire cable to be as invisible as possible from a distance and attractive up close.

 

A totally impractical but decorative fence in the Asian Meadow uses ornamental Chinese tiles inset into a low wooden fence to delineate the edge of the meadow and separate it from a picnic area.

 

Decorative Chinese tiles are set into a simple wooden structure.
This photo shows how important hard landscaping can be in areas where snow comes early and stays late.

 

One of the most attractive deer fences I’ve seen is the one below, spotted in the Bridge Garden on Long Island. The casual arrangement of long sticks is a variation of a Japanese style.

 

This simple structure and imaginative structure is an effective protection against the deer.
This simple and imaginative structure is an effective protection against the deer.

 

Compare it, for example, to this more formal fence at the Morikami Japanese Garden in Florida.

 

Tied bamboo fences are a staple of many Japanese gardens.
Tied bamboo fences are a staple of many Japanese gardens.

 

Some fences are purely practical but even practical fences needn’t be unattractive. I saw the one below at Madoo, the Long Island garden of the late Robert Dash, and while its material is utilitarian, its colour lightens the surroundings and adds interest to the plants at its base.

 

This fence probably screens an unattractive sight at Madoo, Robert Dash's garden on Long Island. It picks up on the strong primary colours used throughout the garden.
The strong green is repeated throughout the garden along with other strong primary colours.

 

Some fences make strong visual statements. At Veddw, the Welsh garden created by Anne Wareham and Charles Hawes, an opening into a farm field needed to be fenced. The ground on one side was much higher than the ground on the other, and the land sloped markedly from end to end. They solved this problem with imagination, and at low cost, by using slats of varying heights.

The uneven slats make a virtue of uneven ground.
The uneven slats make a virtue of uneven ground and create an interesting silhouette.

 

A similarly imaginative fence is at The Grove, the garden of the late David Hicks, where the silhouettes of famous landmarks decorate one side of a very plain fence.

 

A skyline at The Grove.
An over-the-top fence at The Grove features the Parthenon among other buildings. How many can you identify?

For a fence that illustrates the interests of the gardener, one designed by Christine Facer Hoffman, a medical scientist turned garden designer, tops my list. Ms Facer Hoffman’s dog is named Pi and this fence makes his name a reality… it is an endless sequence of numbers listing the decimal points of pi. The fence is also practical, keeping gravel out of the vegetable garden.

 

An aesthetically pleasing fence
The low metal  fence that surrounds the vegetable garden at Througham Court is aesthetically interesting. I wonder, though, if anyone has ever tripped over the raised numbers.

 

It’s easy to install a low-cost utilitarian fence, but how much more interesting it is to design one that suits the situation, the interests and the aesthetics of the garden owner. A wonderfully contemporary fence at Pensthorpe Nature Reserve combines open and closed spaces, a principle that informs many garden designs.  At first glance, the fence is a solid barrier.

 

A mass of flowers soften the appearance of the fence.
A mass of flowers soften the appearance of the fence.

 

But as you walk alongside it, the fence opens to allow flowers to peep through.

I love the combination of materials and colours in this Corten steel fence at Pensthorpe Nature Reserve.
I love the combination of materials and colours in this Corten steel fence at Pensthorpe Nature Reserve.

 

Designing a fence like this takes skill and imagination. Add the wonderfully toned plants and you have a winner.

 

 

 

 

Framing the View

August 16th, 2016 | 10 Comments »
A pair of trees frame a view. The mown path  directs your eye and your feet.
"No matter how panoramic its scope, a view of surrounding countryside becomes a genuine garden picture only when it has been framed." - Penelope Hobhouse Recently I came across this statement from the English garden writer and designer Penelope Hobhouse. I read it quickly, nodded in agreement, then paused and read it again. Did I agree? Does a view have to be framed in order to create a 'garden picture'? And what is a 'garden picture' anyway? a photograph of the garden or the picturesque scene itself? The more I considered the statement, the

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Grassy Garden Paths

February 3rd, 2015 | 9 Comments »
A straight path at Stancombe Park in England edged with stone leads to the sculpture of a stag.
Today, when nothing for me but snow and ice is underfoot, I am thinking about garden paths and how they affect the way we move through our gardens. The material used for the path, its width, whether it is straight or curved, whether we can see where it is leading or not -- these aspects and more shape the style of our gardens and influence how we respond to them. Compare for a moment this grassy path ....   [caption id="attachment_1772" align="aligncenter" width="850"] A straight path at Stancombe Park in England leads to

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Rills and Why I Like Them

June 26th, 2013 | 6 Comments »
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Water features are an important element in many gardens. Understandably so. Water can reflect the sky, enlarging the space to infinity; it can reflect surrounding buildings or trees, adding stimulating contrasts. It is an ideal environment for certain decorative plants. It cools the air and its movement over rocks or cascades adds a refreshing note. A garden rill is an artificial channel that carries water from one place to another. Historically rills developed from the religious ideas of Persian paradise gardens. They appeared later in Europe, in Moorish gardens like

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Borrowing a View

June 18th, 2013 | 2 Comments »
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In England, the idea of enlarging the view beyond a garden wall -- whether the wall is real or metaphoric -- dates back to the 18th century. The furniture and landscape designer William Kent is said to be the first to recognize that land outside a garden's designed space could appear to be part of it. He understood that someone else's fields or farmlands could be 'borrowed' visually to make one's own lands seem larger. At Rousham House in Oxfordshire. Kent "leapt the wall and saw that all nature was a

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