Tag Archives: paths

Paths with Pizazz

August 4th, 2019 | 4 Comments »

Many garden paths are ordinary, designed simply to get you from one place in the garden to another. Grass paths, the simplest and least costly type of path to make, appear in gardens so routinely that they almost disappear. Occasionally, though, you’ll see a path that stands out.

The grass path below is an example. It is well maintained and nicely curved but what lifts it out of the ordinary is the white line that edges it. That line draws your eye along the curve and makes the path itself impossible to ignore.

A curving parth at Througham Court leads across a field to a gate banners flying in the distance.
A curving path at Througham Court leads across a field to a gate into the garden proper.


Paths with plants dotted here and there also draw the eye, whether there are many plants …


The cmbination of regular and irregularly shapes stones along with the plants that break up the stones makes this path at Malverleys particularly appealing.
The combination of regular and irregularly shaped stones along with the plants that break up the stones makes this path at Malverleys particularly appealing.


or only a few.

Two clumps make a strong statement in this path at Spilsbury Farm, the garden of Tania Compton and
Fewer clumps make a stronger statement in this path at Spilsbury Farm, the garden of Tania and Jamie Compton.


At Hatfield House, a broad gravel path is lifted out of the ordinary by the pattern of stones that border it.  At first glance the borders look identical but they are not, any more than the flowers on the left are identical to the grass on the right. The different pattern of stones, left and right, sets up a rhythm that makes the path dynamic and more interesting than if the borders were the same.

Stones line this gravel path at Hatfield House.
Would you have used the same pattern on both sides of this path? Did you notice the difference at first glance?


In another part of the garden, another path varies the ‘in and out’ rhythmic theme. This second path is narrow and is bordered by tall hedges that make it feel even narrower. Using grass to break up the stone not only repeats the green of the hedges but also makes the walkway more inviting and less austere. A subtle touch is the contrast between the straight lines of the stones and the hedge and the curved lip of the fountain and the arched hedge above it.

A long corridor becomes more interesting because of the grass in the center.
At first the grass sections appear to be identical but the one in the foreground is larger than the others. I’m sure this was done deliberately to mark the beginning of the path. Although it isn’t clear in the photo, arched hedges appear on all four sides of the fountain where the paths intersect.


Perhaps the most unusual and most affecting path I’ve ever walked is the one at the Kennedy Memorial at Runnymede, England, designed by Geoffrey Jellicoe in honour of John Kennedy. A stone path leads through woods left in their natural state to a carved stone at the top of the hill. There, a path with  an irregular edge similar to those above leads across a flat stretch of grass.

Square stone blocks are separated by thin rectangular one, . The central line of
Square stone blocks are separated by thin rectangular one, . The space between the larger blocks creates a straight line that pulls your eye forward. The indentations of grass along the sides suggests the crenellations on a castle wall.


This path, so simply designed, is very much in keeping with the tone of the memorial itself. But the path that touched my heart was the one that visitors use as they climb the hill. Jellicoe designed the memorial with John Bunyan’s 17th century allegory Pilgrim’s Progress in mind, intending that people climbing the hill feel as if they are modern day pilgrims.  Each detail of the climb has meaning. There are 50 steps, as there are 50 states. Each of the 60,000 granite stones, or setts, that make up the path is hand-cut, slightly different from every other. Cobblestones that widen or narrow for no apparent reason edge the path and  because the setts were laid directly on the ground, the path ripples like an echo of the uneven surface beneath.

According to Tom Turner, the English landscape architect and garden historian, several lengths of the path were laid in a standard manner. When Jellicoe saw the work he asked the craftsman building the path to imagine that the stones were a crowd attending a football match. The stones were the front of the crowd, surging and falling back, only to surge again. With that in mind, the work began again.


The steps are also
Each step on the path is different and each is hand-laid.


Paths take you on journeys and you never know exactly where the journey will end. Or when.

Walking Timelines, the 3 km trail at my garden Glen Villa, I sometimes remember the sense of awe I felt at the Kennedy Memorial. I walked that path in May 2016 and described the experience in a blog post you can read here. Remembering how I felt at the time is one reason I continue to find this path the most affecting I’ve ever walked.

Is there a path that stands out for you?



Garden Paths

July 29th, 2019 | 12 Comments »
The tightly laid stone path at Cottesbrooke, a Queen Anne house in Northamptonshire.
Working on Timelines, the 3 km trail at Glen Villa that opened last weekend, started me thinking about trails and paths more generally, and particularly about the way the size, shape and the material a path is made of affect how we respond. What a difference there is, for instance, between the effect of a winding path made of wood chips ...   [caption id="attachment_7795" align="alignleft" width="4272"] This photo shows a wood chip path at Holbrooke Garden, a naturalistic garden in Devon.[/caption]   ... and a straight path that leads to


Garden Paths

December 28th, 2017 | 14 Comments »
Ragged robin, lupins and buttercups edge the path that leads to the China Terrace, the re-creation of Glen Villa Inn.
As the end of the year approaches, I'm thinking about transitions. In  the context of gardens, transitions are often linked to paths. Paths lead you somewhere, either literally or metaphorically. They take you through different landscapes -- meadows, forests, open fields -- whose settings evoke different moods. They come in all shapes and sizes -- grassy and gravel, broad and narrow, straight and curved. One path may lead to a specific place, another to nowhere in particular and yet a third to someplace unknown, a future waiting to be discovered. Anyone visiting Glen Villa, my garden in Quebec,


Grassy Garden Paths

February 3rd, 2015 | 9 Comments »
A straight path at Stancombe Park in England edged with stone leads to the sculpture of a stag.
Today, when nothing for me but snow and ice is underfoot, I am thinking about garden paths and how they affect the way we move through our gardens. The material used for the path, its width, whether it is straight or curved, whether we can see where it is leading or not -- these aspects and more shape the style of our gardens and influence how we respond to them. Compare for a moment this grassy path ....   [caption id="attachment_1772" align="aligncenter" width="850"] A straight path at Stancombe Park in England leads to


A Path to The Egg

February 3rd, 2013 | No Comments »
Glen Villa is about the land and the people who have lived on it, me and my family and the generations that preceded us. It’s about the emotions that plants and objects arranged artfully can evoke in those who take the time to really look at what is around them. It’s about the land beyond the garden itself: the woods and the paths we’ve created that have become as familiar as my face in the mirror. A path in the woods, near the big mossy rock I love sharing these