Tag Archives: English gardens

Houghton Hall: A Garden Review

January 6th, 2019 | 8 Comments »

England has many fine gardens. Houghton Hall in Norfolk is one of the finest, offering a stimulating combination of horticulture, contemporary art and history that is far too much to absorb in a single visit.

The most popular part of the garden is the five acre Walled Garden. Divided into contrasting areas, the Walled Garden contains a double-sided herbaceous border, an Italian garden, a formal rose parterre, fruit and vegetable gardens, a glasshouse, a rustic temple, antique statues, fountains and contemporary sculptures. With so many aspects, the area could feel muddled or over-crowded, but a strong geometric structure holds the disparate elements together with ease.


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The long double herbaceous border wasn’t at its peak when I visited last September but it still held enough interest to elicit a wow or two.


The fading nepeta contrasts with the vibrant dahlias.
The fading nepeta contrasts with vibrant dahlias.  What do you think — are the wooden tutors a bit heavy or are their proportions a good balance for the space?


Dahlias of all types featured prominently, in this border and in another dedicated exclusively to the plant.


I really like the shape and colour of this flower.
I like the shape and colour of this flower. It almost tempts me to grow dahlias — but then I’d have to dig the tubers annually and overwinter them. Is the work worth it?


The double border stretches across the entire width of the walled acreage, with a well-proportioned rondel at the mid-point to mark the intersection of the two main paths.

The temple by Isabel and Julian Bannerman is at the far end of this long double border.
The rondel, defined by curved hedges, is halfway along the path. Barely visible in the distance is a temple designed by Isabel and Julian Bannerman.


Drawing you down the path is the structure at the far end.  A garden folly, typical of the work done by Isabel and Julian Bannerman, links the contemporary garden with the history of the property and with 18th century English garden design, when allusions to Greece and Rome connected the growing British empire with those of ancient times.


Two chairs offer a place to sit and enjoy the view.
Massive tree trunks form columns and antlers from the estate’s herd of white deer provide texture and detail in the pediment. Two chairs offer a place to sit and enjoy the view back into the garden.


A formal rose garden, well past its best before date when I visited, anchors one quadrant of the garden.


Classical statues towered above roses in the Formal Rose Garden.
Classical statues towered above what must be a splendid display in season. The curving yew hedges offered a nice contrast to the formality of the enclosed beds.


A Mediterranean garden tucked into a smaller space provided a quiet resting spot on a warm day.


Well-trimmed boxwood edged the gravel paths. There were no signs of box blight.
Well-trimmed boxwood edged the gravel paths. There were no signs of box blight.


Its central water feature also offered an interesting contrast to Jeppe Hein’s contemporary sculpture located nearby.


Waterflame is an intriguing work that combines contrasting elements, water and fire.
“Waterflame” is an intriguing work that combines the contrasting elements of water and fire.


The Marquess of Cholmondelay, owner of Houghton Hall, has installed many fine pieces of contemporary sculpture since he succeeded to the title in 1990. I saw four works by Sir Richard Long, including “Houghton Cross” which was laid out in the Walled Garden on a former croquet lawn.


The 'ancient worthies' touches were repeated with busts partly hidden in niches in the hedge surrounding the croquet lawn.
The ‘ancient worthies’ references found in the Bannerman temple were repeated with busts partly hidden in niches in the hedges surrounding this former croquet lawn.


The Walled Garden was impressive in its scale and variety but the high point of the garden for me was the contemporary sculpture by James Turrell. It’s hard — perhaps impossible — to capture the nature of this work in photos, because of what it is in itself, and because of how it is situated.


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This map of the property gives a sense of scale. The 5-acre Walled Garden is on the right, the wilderness area on the left. Separating them is the Hall itself and the spectacular open area that sweeps out in front of it.


First, imagine leaving the Walled Garden, walking through the Stable Block and along a memorial pathway to reach the Hall itself, a Palladian masterwork built in the early 1700s for Britain’s first Prime Minister, Sir Robert Walpole.


The Palladian
Sculptures by Damien Hirst were an irritating distraction, interfering with the classicism of the Palladian facade


Imagine turning your back to the Hall and looking out onto a long allée, a broad, grassy tree-lined walk simple in concept but enormous in scale, that dips and rises and stretches out to a distant tomorrow.


The grass strip echoes the width of the Hall. and is bordered on each side by a double line
The grass ‘path’ runs the width of the Hall and its colonnades before narrowing to a central  allée  flanked by a double line of  trees, trimmed to perfection.


Then walk beyond formality into a forested area, seemingly wild. There, open a gate and walk along a path lined with cloud-pruned boxwood.


The insignificant building in the background is the work by Turrell.
A winding path leads through amorphously-shaped boxwood to what seems an insignificant building in the background.


Follow the path to enter a simple wooden structure, cube-like, with benches along the sides. Sit down and begin to breathe. Take in the calm.


Skyspace: Seldom Seem
‘Skyspace: Seldom Seen’ is a work of art by the American artist James Turrell.


Look up.


An opening in the roof focuses the view on the sky.
An opening in the roof focuses the view on the sky.


Above is the sky, nothing more. Yet so much more.

I visited Turrell’s Skyspace: Seldom Seen on a cloudy day. There was little contrast in colour as there must be in sunnier times, when the sky is blue and clouds pure white. But this did not interfere with an  experience that was overwhelming in its intensity. As I sat and watched, the sky changed. I was a child, stretched out on the grass, mesmerized, watching the world shift and change, imagining whatever I wanted to see and whatever I wanted to be.


Shifting shadows on the wall brought the experience closer to the ground.
Shifting shadows on the wall brought the experience closer to the ground.


I spent a long time at Skyspace, and would have spent more, had time permitted. But there was more to see, including sculptures by Richard Long and others.


Another sculpture by Richard Long, titled "
This sculpture by Richard Long, titled “Full Moon Circle” is located partway down the long walk in front of the Hall.


Tucked into the woods was “Scholar Rock” by the Chinese artist Zhan Wang.


Many of Zhan Wang’s sculptures are similar to this one, large highly textured rock-like pieces coated in chrome. In Chinese culture, Scholar’s rocks are said to possess the purest form of vital energy and are often found in traditional Chinese gardens.


I’m not a fan of Damien Hirst, probably Britain’s best paid and best-known artist, who was chosen as this year’s featured artist in Lord Cholmondeley’s program “Artlandish.” Michael Glover, art critic for the Independent,  described the sculptures as “fairground-freaky, upscaled giants.” I agree.  Their size, however, did work in the expansive grounds.


These pieces by Damien Hirst were near the ha-ha that separates the wider grounds from those close to the Hall.
These pieces by Damien Hirst made me think of medical models with interior body parts exposed.


There was much I didn’t have time to see or appreciate at Houghton Hall — sculptures by Rachel Whiteread, Stephen Cox, Phillip King and Anya Gallaccio. (I was particularly disappointed to miss Gallaccio’s Sybil Hedge, purple beech hedges laid out in the signature of Sybil Sassoon, grandmother of the current Marquess and the woman responsible for rejuvenating the garden early in the 20th century. ) Toy soldiers aren’t my thing, but Houghton’s collection is fascinating, I’m told. And the interior of the house contains fine works of art and magnificent state rooms decorated by William Kent.

Often I want to visit a garden for a second or a third time. The range of things to see at Houghton Hall is so grand that I’d need a third, fourth or fifth visit to see and appreciate all it has to offer. I hope the opportunity arises.

Petworth: a Landscape by Capability Brown

September 9th, 2018 | 18 Comments »
On a sunny day, what could be more agreeable than strolling through a landscape designed by Lancelot 'Capability' Brown? Earlier this week, two friends and I took advantage of the fine weather to do just this when we visited Petworth House in Sussex. The landscape there is one of the finest surviving examples of Brown's work. Walking through the 700-acre park, the surroundings appear to be totally natural, but in reality Brown shaped each part of the land with his customary flair.   [caption id="attachment_6709" align="aligncenter" width="4272"] This view from the


The Way to Go, or Not to Go

May 15th, 2018 | 18 Comments »
The Grotto of the Deluge marks the division between primitive life and the beginning of civilization.
  One of the decisions I have to make when groups visit Glen Villa is which way to go. Shall I to lead the group around the garden this way or that? In some gardens the choice is made for you. There is a set route that the garden maker or garden owner wants you to take. Or that the government authority in charge has dictated. This is the case at Villa Lante, the Renaissance garden built for Cardinal Gamberaia and now owned by the government of Italy. The Cardinal's garden used water to


Malverleys: A Garden of Contrasts

November 27th, 2017 | 18 Comments »
Vivid colours appear in the hot border. Contrasts are more subtle in the cool-toned border but are still  dynamic and inventive.
Winter is almost here in Quebec, which means that not much is going on in the garden at Glen Villa. So instead of moaning about that, I'm remembering one of the gardens I visited in England last May. Malverleys is a large private estate, rarely open to the public, so the small group of gardeners who were on the tour I was hosting was fortunate to be able to visit. We were doubly fortunate to tour the garden in the company of Mat Reese, the head gardener. Anyone who subscribes to Gardens Illustrated, or


Gardeners (and Gardens) to Remember

June 7th, 2017 | 14 Comments »
This garden by James Alexander Sinclair showed the relationship between sound and motion. Water gurgled and spouted in response to sound waves. Very ingenious.
I'm home again at Glen Villa, my garden in Quebec, after touring gardens in England. In ten days, the small group I was hosting visited 17 gardens, each special in its own way. Add in the Chelsea Flower Show and pre-tour visits to three other gardens and you can imagine the result: more photos and memories than a dozen blog posts can handle. Let me mention a few highlights. (More blog posts will come once I catch my breath and begin to assimilate all I saw.) The Chelsea Flower Show


Ascott: A Garden Review

October 25th, 2016 | 11 Comments »
The hours are shown in Roman numerals, the text in block letters circling behind.
Note: Recently I became aware of a technical glitz that was causing problems with the delivery of this blog. It has now been resolved. To those of you reading a blog post for the first time, even if you subscribed many months ago -- my apologies for the delay and welcome to the Site and Insight blog! I welcome your comments.   "It is magnificent. It is what God would have done if he had the money."   I don't know whose garden Noel Coward was describing when he penned those words, but you


Prospect Cottage: A Garden Review

October 12th, 2016 | 12 Comments »
The cottage retains its original strongly contrasting paint colours.
  The garden at Prospect Cottage, located in Kent on England's east coast, was created by the late Derek Jarmon, a filmmaker, diarist and early advocate of gay rights. It is a garden that sits lightly on the land while simultaneously conveying a powerful sense of place. It is also one that elicits a strong response from visitors. Either they like it or they don't, are intrigued by it or walk through quickly, dismissing what they see as a collection of rubbish with some flowers thrown in.   [caption id="attachment_4107" align="aligncenter" width="1200"]


The Gibberd Garden

June 6th, 2016 | 8 Comments »
A bust of Gibberd by Gerda Rubinstein site is viewed comfortably through a house window.
  Sir Frederick Gibberd was an English architect, landscape designer and town planner. His design for Harlow New Town, generally regarded as the most successful of Britain's post-WWII developments, is his greatest achievement. His garden is his most personal. Located in Essex on the outskirts of the town he designed, the garden is little known and little visited, despite being called by BBC Gardeners' World one of the most important post-war gardens in the country.   [caption id="attachment_4032" align="aligncenter" width="3888"] A bust of Gibberd by Gerda Rubinstein is viewed comfortably


A Year of Visiting Gardens

December 20th, 2015 | 13 Comments »
This bridge is one of the most photographed features at Magnolia Plantation. To me the ovals reflected in the black water look like elongated eyes.
2015 was a bumper year for garden visits. I'm almost overwhelmed when I realize how many gardens I visited -- well over 100 by a quick count. Some days, I found the experience exhausting; every day it was fun. My year of visiting gardens started in February when I saw two outstanding gardens in South Carolina. Middleton Place lived up to its reputation as one of America's premier historic gardens. Begun by Henry Middleton in 1741,  the garden follows the principles of André Le Nôtre -- which means that order, balance and focal points enlivened by


Doing the Unexpected

November 15th, 2015 | 12 Comments »
Colour and shape smack you in the face.
Does your garden suffer from the blahs? You know, that late season feeling when everything looks past its best before date and a walk around the garden drags you down? That's how my garden has been looking recently, and that's how I've been feeling. But I may have found a remedy. To prepare for a short talk I gave last week, I flipped through my photographs of gardens in Scotland and the north of England. Some photos I passed by quickly, others made me stop for a second look. Why?