Category Archives: Travel

Yin and Yang at the Dr. Sun Yat Sen Classical Chinese Garden

October 3rd, 2016 | 8 Comments »

Vancouver’s Dr. Sun Yat-Sen Classical Chinese Garden is an  oasis in the middle of a busy city, a place to rest and reflect on a garden tradition that reached its peak in the Ming dynasty (1358-1644). In accord with the Taoist philosophy of yin and yang that guides the garden’s design, the aim is to balance opposing forces and thereby to achieve the equilibrium that constitutes perfection.  Behind the walls that separate the garden from the city, contrasts of dark and light, flexible and immovable, rough and smooth, large and small combine to create a picture of harmony that pleases the eye and soothes the soul.


Black and white, rough and smooth
The first courtyard at the Dr. Sun Yat Sen Classical Chinese garden shows many yin and yang contrasts — black roof tiles and white walls, rugged rocks and soft foliage.


In this type of classical Chinese garden, rocks and plants are arranged asymmetrically, emulating the rhythms of nature.  Winding paths and corridors present different viewpoints, some full of energy and movement, others calm and reflective.


Water lilies cover the surface of the water, screened here by branches of a weeping willow.
Water lilies cover the surface of the water, screened here by branches of a weeping willow.


Rocks are a major component of  the garden. The most striking are the limestone rocks imported from Lake Tai near Suzhou. These weathered, water-worn rocks full of holes and crevices bring a rough beauty to the garden which is particularly evident in contrast to the softness of pine needles and foliage touched with autumn.


Tai rocks are essential elements in a Ming dynasty garden.
Tai rocks are essential elements in a Ming dynasty garden. The holes and crevices are caused by the high acidic content of the lake water where they are found.


This yin and yang contrast is built into the very structure of the garden — there is a male side composed of hard straight lines and a female side with soft curves. The use of opposites is seen also in the choice of plants, the use of water and stone, even in a double corridor where one side is sunny when the other is in shade.

Patterns in the stone paving used throughout the garden underline not only the opposing forces but also the search for balance and harmony between them.


The paving in the female half of the garden uses stones of different colours and different textures, arranged in different directions, to create a beautiful flower design.
The paving in the female half of the garden uses stones of different colours and different textures, arranged in different directions, to create a beautiful flower design.


I was particularly struck by how subtly the different pavement patterns illustrate the principle.


This pavement pattern in the male part of the garden is composed of straight lines, thought to be more representative of male characteristics.
This pavement pattern in the male part of the garden is composed of straight lines, thought to be representative of male characteristics.


Black and white are the most obvious contrasts but rough and smooth textures also feature, as do changes in direction and the size of the stones.


Black and white are highlighted in this paving pattern. Black is the female element, white is the male.
Black and white are highlighted in this paving pattern. But note as well that the stones are laid in three different directions.


Harmony and balance are the aim, for the garden is meant to be a resting place for both body and soul. The weathered Tai Hu rocks form the skeleton of the garden, water forms its lifeblood, a soft yin balancing the rocks’ hard yang. The cloudy, jade green colour of the water is intentional. Created by clay that lines the bottom of the pond, the cloudiness symbolizes tranquillity and enhances the reflective quality of the water, doubling the pleasure brought by the view.


Reflections in the water allow us to enjoy the real pavilion and its illusory double.
The reflective quality of the water helps us to appreciate the contrast between the real pavilion and its reflection — between reality and illusion. This is a key element in Taoist philosophy


Plants set the mood of the garden, evoking a landscape that was the ideal for the Ming dynasty scholar whose garden this is meant to replicate. The three friends of winter — pine, bamboo and winter-flowering plum —  are planted outside his study, symbolizing the human virtues of strength over time, resilience combined with flexibility and continuity and rebirth. Outside the scholar’s bedroom window a banana plant acts like a weather bulletin: if is raining, the scholar hears drops falling onto its broad, flat leaves and dresses accordingly.


Straight lines on the pierced window combine with the rugged Tai rock and straight bamboo: this is male territory.
The rugged Tai rock and bamboo combined with the straight lines of the ‘leak’ window indicate that this is male territory.


Throughout the garden individually patterned ‘leak’ windows as shown in the photo above allow air, light and views to leak through from one part of the garden to another. Words play a part in this garden as well, making explicit what otherwise might be hidden. Calligraphy was, and is, an art form in China, and the beauty of a person’s calligraphy was an indication of status and education.  A Ming scholar’s garden would always include words appropriate to the setting, and the Dr. Sun Yat Sen Garden is no exception.

A pair of panels in the moon-gated Jade Water Pavilion describe the scene nearby:

Pond waters,

Mysteriously green,

Sky light,

Eternally enshrined.


The fretwork panels are carved from ginkgo, a soft wood favoured by carvers.
Fretwork panels are carved from ginkgo, a soft wood favoured by carvers. The calligraphic panels are on the right-hand wall.


Clearly the words are meant to evoke a response to the light on the water nearby, and to the vision of the pavilion and its reflected double. The setting enlarges the context, taking it from the particular to the universal. For here, the moon gate presents a never-ending circle, heaven and perfection, while the square opening that surrounds it symbolizes the earth. Together, balanced, they are yin and yang made visible.

The idea of balance, searching to follow the central Way, avoiding the extremes of left and right, male and female: these are ideas that appeal to me personally. Yet finding the balance, particularly between illusion and reality, was a challenge for me as I walked through this very special garden. It was beautiful, without question, and I enjoyed being there enormously. Our knowledgeable guide enriched the experience with information that helped me understand more thoroughly all I was seeing.

But a garden that aims to find the balance between energy and calm needs to be experienced in both ways. I need to return to the garden, to sit and soak in the sunshine, to appreciate the contrast between the quiet sounds of nature and the raucous cries of children playing outside the walls. I need time to reflect on the ideas behind the garden and how they relate to the reality beyond.

While in many ways the garden feels timeless, it is actually quite new, built only thirty years old in 1985-1986.  And while I felt calm, isolated from the noise and aggression of the city while I was inside the garden’s walls, the city was there all the time, peering over the walls, inescapable.


I had to chuckle at the sign that appeared just above the garden wall. Surely it should have said East, not West.
I had to chuckle at the sign that appeared just above the garden wall. Surely it should have said East, not West.


The Dr. Sun Yat-Sen Classical Chinese Gardens bills itself as “Refreshment for the Heart.” It prides itself on being the first classical garden constructed outside China, built through a cooperative arrangement between Canada, the People’s Republic of China and Vancouver’s Chinese and non-Chinese communities. That collaboration is admirable, as is the garden’s location next to a public park.


say something
Strong pines and graceful willows frame a curved-roof pavilion visible from the private garden but accessible only from the public park.


Yet I couldn’t help comparing the reality around me with the reality I experienced when I lived in China during the Cultural Revolution, from 1969-1971.  The country I lived in then bore no resemblance to the idealized landscape that was around me. I was a different person, with different priorities and different needs.

Illusion, it seems, is at the heart of the garden. Reality is outside the walls.

Who was Dr. Sun Yat Sen?

Sun Yat-sen (1866 – 12 March 1925) was a Chinese revolutionary, first president and founding father of the Republic of China. He was a doctor and played an instrumental role in the overthrow of the Qing dynasty.  Appointed as Provisional President of the Republic of China when it was founded in 1912, he was a uniting figure in post-Imperial China and remains unique among 20th-century Chinese politicians, widely revered among people from both sides of the Taiwan Strait and the political divide.



The Devil’s Arrows

September 13th, 2016 | 8 Comments »
The caption says something.
  For the last ten days I've been touring gardens in Scotland and the north of England.  A few days ago the group I'm hosting stopped to investigate two prehistoric standing stones. Their setting could not be more prosaic -- a hayfield close to a busy highway, not far from the city of York -- but the stones standing there were anything but.   [caption id="attachment_4395" align="aligncenter" width="1224"] Thankfully the hayfield had been cut, allowing us to cross the field without damaging the crop.[/caption]   The stones date from neolithic times, 3500-2500


The Second Time Around

September 4th, 2016 | 11 Comments »
Who wouldn't want to relax in the sunshine at Little Sparta on a beautiful warm day?
  Yesterday I arrived in Edinburgh and tomorrow I begin a tour of gardens in southern Scotland and northern England. This tour is similar to one I hosted last September, which means I'll be taking this year's group to many of the same places I visited then. On the 2015 tour I was seeing some gardens for the first time; others I had been to before. So this year I'll be visiting some gardens for the second time, some for the third, some for the fourth or fifth. Like the song says, will I find


The Gibberd Garden

June 6th, 2016 | 8 Comments »
A bust of Gibberd by Gerda Rubinstein site is viewed comfortably through a house window.
  Sir Frederick Gibberd was an English architect, landscape designer and town planner. His design for Harlow New Town, generally regarded as the most successful of Britain's post-WWII developments, is his greatest achievement. His garden is his most personal. Located in Essex on the outskirts of the town he designed, the garden is little known and little visited, despite being called by BBC Gardeners' World one of the most important post-war gardens in the country.   [caption id="attachment_4032" align="aligncenter" width="3888"] A bust of Gibberd by Gerda Rubinstein is viewed comfortably


The Kennedy Memorial at Runnymede

May 30th, 2016 | 13 Comments »
A river of cobblestones surrounds an uneven, curving path.
Memorials are tricky things to get right. In the past, when heroes were celebrated and the power of rulers was exalted in monuments that forced ordinary people to crane their necks skywards, understanding a memorial was easy. A man on horseback was a triumphant military leader. A statue elevated on a Greek-style plinth was a politician, or perhaps a king or queen. When the statue was part of a fountain or surrounded by figures of reclining women in various stages of undress, the message was probably one that celebrated the achievements of a country


A Change of (Ad)dress

May 23rd, 2016 | 14 Comments »
A froth of white dresses the fields and roadsides in Hertfordshire. What do you call this wildflower -- Queen's Anne's Lace, wild carrot or something else entirely?
  The weather at this time of year does strange things to the mind -- and to the wardrobe. One day is cold, the next is hot. Changing locations makes the uncertainties even worse. What do I pack? Summer dresses or winter woolies? I arrived in England a few days ago on a chilly morning that felt much like the mornings I'd left behind in Canada. But looking out at the countryside, it was obvious that summer was now dressing the fields.   [caption id="attachment_3982" align="aligncenter" width="3888"] A froth of white


Open Garden Days, New Talks and Garden Tours

May 17th, 2016 | 4 Comments »
Screenshot 2016-05-15 14.07.48
  For a year or more I've been thinking about opening the garden to the public. Last week I bit the bullet and announced  that on August 4, I'll be holding an Open Garden Day. The Open Garden Day is a fundraiser for Fondation Massawippi Foundation, a community organization that supports land conservation and special projects in the communities that border Lake Massawippi. Visitors will be asked either to join the Foundation or to make a voluntary contribution. Will there be hundreds of people or only a handful? I have no idea. But I hope there will be


Visiting Gardens: Nine Do’s and a Don’t

April 20th, 2016 | 10 Comments »
John Coke, owner of Bury Court in , has a wealth of knowledge about the plants in his garden which he freely shares.
Visiting gardens is one the joys of my life. For the last four years, I've been hosting small group tours to gardens in Britain and Italy, working alongside an outstanding professional travel agent based in Vancouver. Julia Guest at Travel Concepts does the detailed planning that is essential to ensure a good garden tour. Without her work, the tours couldn't happen. Without the cooperation of individual garden owners, the tours wouldn't be as inspirational. And without the companionship of the men and women who have been part of the tours, they


Magnolia Plantation: A Garden Frozen in Time

March 5th, 2016 | 12 Comments »
The entrance avenue of live oak, planted some 200 years ago, sets the tone for all that follows.
  Magnolia Plantation is one of South Carolina's premier attractions. Located on the Ashley River near Charleston, it bills itself as America's last large-scale Romantic-style garden. It fits the definition. It is a garden where form, balance and symmetry are thrown to the wind, where views are calculated to appeal to emotion rather than reason and where paths wander around dark reflecting waters that hide the realities underneath.   [caption id="attachment_3620" align="aligncenter" width="1000"] Reflected in the dark water, the Long White Bridge is the height of southern romance. It's hard to resist


The Wild Life on Kiawah Island

February 29th, 2016 | 4 Comments »
No, not parent #2.
Strictly speaking, the headline on this week's blog post should read wildlife instead of wild life. Because for the last few weeks life here has been anything but wild. Instead, the days have passed gently, giving me a very welcome break, with time to read, think and bike around the island, enjoying everything I see. Birds abound here. Cormorants are everywhere, gathering most mornings for a confab on a nearby golf course ...   [caption id="attachment_3626" align="aligncenter" width="1000"] Do you think they are gathering for a caucus? Politics is all