What happens when two opinionated garden makers visit the garden of a Chelsea award-winning garden designer?
Last month, Anne Wareham, Charles Hawes and I visited Allt-y-bela, the home of Arne Maynard, an author and prominent UK garden designer. We spent several hours wandering around the impressive garden, located in Monmouthshire, Wales; Anne and I spent even more time several weeks later exchanging ideas and responses to what we had seen.
Along with running her own garden, Veddw, (in case you missed my review of Veddw, you can read it here), Anne edits the internationally read on-line garden magazine ThinkinGardens. This week she has published our correspondence about Allt-y-bela.
As Anne mentions in her introduction to the piece, our responses to the garden raised a number of interesting questions. What is the affect of visiting a garden along with the person who has made it? Does it add to or subtract from the experience? What about history? Is it important to bring that into the design of the garden? And what are the pros and cons of stage managed gardens?
I'm home again at Glen Villa, my garden in Quebec, after touring gardens in England. In ten days, the small group I was hosting visited 17 gardens, each special in its own way. Add in the Chelsea Flower Show and pre-tour visits to three other gardens and you can imagine the result: more photos and memories than a dozen blog posts can handle. Let me mention a few highlights. (More blog posts will come once I catch my breath and begin to assimilate all I saw.) The Chelsea Flower Show
I'm in England now, about to start on a ten-day garden tour. With my co-host Julia Guest of Travel Concepts in Vancouver, I will take a small group of women to the southwest of England. But before hitting the road, let me whet your appetite with a review of an extraordinary garden I visited pre-tour. Veddw is the garden of Anne Wareham and Charles Hawes. Located in Wales, just across the border from England in an area of outstanding natural beauty, Veddw pays homage to its surroundings in ways that show respect
I share something with Jan Johnsen, author of The Spirit of Stone -- a respect for stones and the qualities they bring to a landscape. At Glen Villa, my garden in Quebec, I've used stones in paths, steps and walls. I've used them more unusually in the gabion walls of The Aqueduct and in the parking area in front of the house. [caption id="attachment_5034" align="aligncenter" width="1000"] Gabion walls can be practical and aesthetically pleasing. A low pool can be attractive to a tiny granddaughter.[/caption] Two stunning moss-covered rocks in the woods
Experimenting Landscapes: Testing the Limits of the Garden is the newest book about the International Garden Festival at Métis, Québec. Full of helpful insights from the author Emily Waugh, the book presents photos and essays analyzing some of the Festival's experimental gardens. Focusing on a selection of gardens from the last ten years, the book suggests five categories or methods of investigation that help readers position the gardens within a larger context. [caption id="attachment_4966" align="aligncenter" width="300"] This cover photo shows Courtesy of Nature, by Johan Selbing and Anouk Vogel. It is one of
North is a direction, an idea, an experience. North as designed by the architects Suresh Perara and Julie Charbonneau of the Montreal firm PER.CH is a triumph. Using familiar materials, PER.CH turns the idea of north on its head. Literally. Thirty-nine fir trees hang upside down from a metal framework, their soft green triangles pointing down to a bare Toronto beach. [caption id="attachment_4945" align="aligncenter" width="2000"] Photo courtesy of Suresh Perara.[/caption] North is one of eight installations that make up Winter Stations, an exhibition on the shores of Lake Ontario. Now
After a short but enjoyable holiday in Florida, I'm back in Quebec. Moving from one weather system to another that is radically different strains the body and provokes obvious questions. Why leave ocean breezes for frozen lakes, or blue skies and green palm trees for white snow and grey skies? [caption id="attachment_4918" align="aligncenter" width="600"] The angle of this photo tells you how hard I was working in Florida. Don't laugh: leaning back and doing nothing takes some doing. (Ok, not much.)[/caption] It is cold here. And it keeps on snowing,
Do you pay attention to garden trends or do you think they are a pile of baloney? Every year about this time, I read an article telling me what's in and what's out. Hot new plants are described. I read that there's a colour I can't live without, or that shrubs are making a comeback. (When did they ever go away?) These articles appear in magazines, newspapers and on-line sites in countries around the world. Sometimes they are based on surveys, sometimes on opinions, sometimes on catchy phrases. Alliteration abounds. As do odd conclusions.
Those who can't garden, read. On grey winter days, nothing beats sitting by a fire and reading garden books. For the last few days, I've been devouring Garden Revolution: How Our Landscapes Can Be a Source of Environmental Change. This 2016 publication by Larry Weaner and Thomas Christopher was top of my Christmas wish list; I'm only partway through but I'm enjoying every page. The book lays out sensible ways to garden ecologically, and, as it turns out, I was already applying its principles of natural evolution to guide the transformation of the Big Lawn
Melvin Charney’s garden made for the Canadian Centre for Architecture in Montreal is firmly and unequivocally a city garden. It is surrounded by traffic on all sides, rising up from a piece of land lost between the entry and exit ramps of a busy expressway. It is composed of elements found in many gardens -- plants, sculptures and the fragments of buildings -- yet it combines them in a way that makes this garden unlike any other I know. [caption id="attachment_4713" align="aligncenter" width="1000"] A grassy meadow abutting a busy Montreal street