Category Archives: People

Clichés to Live By

July 3rd, 2017 | 15 Comments »

I’m thrilled to announce that an exhibition of neon art I’ve created will open on July 8 at The Winsor Gallery in Vancouver, British Columbia.

The Winsor Gallery features cutting edge contemporary art, and I’m honoured to be exhibiting there, where artists of the calibre of Alexander Calder, Attila Richard Lukacs, Patrick Hughes, Angela Grossman and Fiona Ackerman have been shown.

This exhibition gives me special pleasure: the invitation to exhibit came as the result of two garden visits.

The first visit happened several years ago when I went to Broadwoodside, a garden near Edinburgh that remains one of my favourites. Cut into a plaster wall was a Biblical phrase, The Writing is on the Wall. As soon as I saw it, I knew I was going to create a version of the sign.

A few months later, I made my version in neon as a gift for my husband, a career journalist whose writing has appeared around the world.

 

To get the full story on this quotation and why it seemed like a perfect gift for my husband on our 50th wedding anniversary, you can read this post.
To get the full story on this quotation and why it seemed like a perfect gift for my husband on our 50th wedding anniversary, you can read this post .

 

The second garden visit came last summer, following our first Open Garden Day. (The second Open Garden Day takes place on Saturday, July 29. It’s a fund-raiser for our local community foundation and its conservation trust.  You can register to attend on the foundation’s website.)

One of the people attending that first Open Garden Day was Jennifer Winsor, owner of Vancouver’s Winsor Gallery. She saw the sign and liked it, telephoned a few days later and invited me to exhibit at her gallery.

It didn’t take me long to say yes. The prospect was exciting. It was challenging. (And I like a challenge.) It pushed me to think about what I’d like to say to a wider public, and why.

Early in the process of preparing for the exhibition, I knew that I would call the show Clichés to Live By. The title summed up an attitude I hold about today’s political discourse — that ideas of merit too often become debased by being overly simplified.  

 

George Bush's statement was a promise not to raise taxes. Did he?
George Bush’s statement was a promise not to raise taxes. Did this phrase trivialize a significant issue?

 

The exhibition includes seven pieces, six wall signs and a desk top piece, all with political overtones. One is a new version of The Writing is on the Wall, others are phrases that most people who follow politics, in Canada or elsewhere, will recognize.

 

Pierre Trudeau's words could be a feminist statement as well as a political one.
Removed from their original context, Pierre Trudeau’s words can be read as a challenge, a feminist call to arms, or a child’s call for attention.

 

Clichés to Live By runs from July 9 to August 9 in conjunction with The Flats Block Party. You can find out more about the exhibition here.

There’s an opening reception on July 8 from 2-4. So if you are in Vancouver, please drop in for a visit and a chat.

The Winsor Gallery is located at 258 E 1st Ave, Vancouver, BC. For information about the pieces, contact the gallery on line or at (604) 681-4870.

 

 

Gardeners (and Gardens) to Remember

June 7th, 2017 | 14 Comments »
This garden by James Alexander Sinclair showed the relationship between sound and motion. Water gurgled and spouted in response to sound waves. Very ingenious.
I'm home again at Glen Villa, my garden in Quebec, after touring gardens in England. In ten days, the small group I was hosting visited 17 gardens, each special in its own way. Add in the Chelsea Flower Show and pre-tour visits to three other gardens and you can imagine the result: more photos and memories than a dozen blog posts can handle. Let me mention a few highlights. (More blog posts will come once I catch my breath and begin to assimilate all I saw.) The Chelsea Flower Show

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The Upper Room

April 26th, 2017 | 24 Comments »
The hardscaping for The Upper Room was completed last summer.
After months of anticipation, yesterday we installed the glass panels at The Upper Room. The wait was long but it was worth it -- I am thrilled with the results. The Upper Room is a memorial designed to honour my mother and her beliefs. It's a tribute to family and to the traditions I grew up with in Richmond, Virginia, when classically symmetrical architecture, brick, and boxwood shaped our streetscapes and our view of the world. From inception, brick and boxwood were essential elements of the design. So was a sense of embrace. I wanted the

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North

February 27th, 2017 | 10 Comments »
north_5_small
North is a direction, an idea, an experience. North as designed by the architects Suresh Perara and Julie Charbonneau of the Montreal firm PER.CH is a triumph. Using familiar materials, PER.CH turns the idea of north on its head. Literally. Thirty-nine fir trees hang upside down from a metal framework, their soft green triangles pointing down to a bare Toronto beach.   [caption id="attachment_4945" align="aligncenter" width="2000"] Photo courtesy of Suresh Perara.[/caption]   North is one of eight installations that make up Winter Stations, an exhibition on the shores of Lake Ontario. Now

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A Doorstep for Orin’s Sugarcamp

December 12th, 2016 | 15 Comments »
Jacques and Ken are skilled workers who can operate almost any piece of equipment, even under difficult conditions.
On the weekend we installed the granite slab that marks the 'front door' of Orin's Sugarcamp, my latest art installation at Glen Villa. (You can read about the project here.) Doing this was tricky. It involved transporting an 800-pound slab of rock across a snowy field and a partially frozen stream on the back of an open wagon. That takes skill, particularly since the snow is very slippery right now. But Jacques Gosselin and Ken Kelso, the talented men who work for me at Glen Villa, managed the job with ease.   [caption id="attachment_4767" align="aligncenter" width="1000"]

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Melvin Charney’s Garden in the City

November 28th, 2016 | 10 Comments »
A grassy meadow abuts a busy Montreal street.
Melvin Charney’s garden made for the Canadian Centre for Architecture in Montreal is firmly and unequivocally a city garden. It is surrounded by traffic on all sides, rising up from a piece of land lost between the entry and exit ramps of a busy expressway. It is composed of elements found in many gardens -- plants, sculptures and the fragments of buildings -- yet it combines them in a way that makes this garden unlike any other I know.   [caption id="attachment_4713" align="aligncenter" width="1000"] A grassy meadow abutting a busy Montreal street

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Orin’s Sugarcamp

November 21st, 2016 | 12 Comments »
The distorted the shape of the leaf to suggest how the shape changes in the fall. l
Just over a year ago I began work on a project in the woods at Glen Villa, my garden in Quebec. I was inspired by an exhibition I saw at The Mount, Edith Wharton's home in western Massachusetts. One piece in particular caught my eye, a collection of oddly shaped pieces of wood that contrasted in an interesting way with the straight vertical tree trunks around them.   [caption id="attachment_4682" align="aligncenter" width="1000"] Cognito, a sculptural installation by William Carlson[/caption]   I knew almost immediately that I wanted to do something similar and

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Remembering the Dead

November 6th, 2016 | 22 Comments »
My father's post is in the foreground, my brother-in-laws in the background.
With Remembrance Day fast approaching, I'm remembering people who were important in my life and looking at how the Memory Posts I painted in their honour are faring. The inspiration for my Memory Posts came from a visit to the National Gallery of Australia and its Memorial Hall.  Created by indigenous artists from Central Arnhem Land in Australia's Northern Territory, The Aboriginal Memorial is an installation of 200 hollow log bone coffins.   [caption id="attachment_4600" align="aligncenter" width="1600"] Photo courtesy of the National Gallery of Australia. The curving path represents the Glyde River in

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The Big Meadow in August

August 25th, 2016 | 19 Comments »
The mown path makes this work. Showing a human intervention is essential.
  This summer I've been watching what used to be a manicured lawn turn into a meadow.  Seeing the changes month to month has shown that what pleased me in June ...   [caption id="attachment_4073" align="aligncenter" width="1200"] The view from the driveway gives some idea of the size of the Big Meadow.[/caption]   became even better in July.   [caption id="attachment_4203" align="aligncenter" width="1000"] Grasses on the prairie used to be called oceans of grass. Now I know why.[/caption]   I was thrilled. Was the transformation from lawn to meadow going to be as

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The Gibberd Garden

June 6th, 2016 | 8 Comments »
A bust of Gibberd by Gerda Rubinstein site is viewed comfortably through a house window.
  Sir Frederick Gibberd was an English architect, landscape designer and town planner. His design for Harlow New Town, generally regarded as the most successful of Britain's post-WWII developments, is his greatest achievement. His garden is his most personal. Located in Essex on the outskirts of the town he designed, the garden is little known and little visited, despite being called by BBC Gardeners' World one of the most important post-war gardens in the country.   [caption id="attachment_4032" align="aligncenter" width="3888"] A bust of Gibberd by Gerda Rubinstein is viewed comfortably

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