Category Archives: Design

Metis International Garden Festival

August 22nd, 2017 | 3 Comments »

 

Recently I visited the International Garden Festival at Metis, Quebec. I’ve attended the Festival many times since it first opened in 2000, but in previous years I’ve gone with adults. This year was special — I went with two teenage granddaughters.

 

The festival installations are adjacent to the St. Lawrence River.
The festival gardens are adjacent to the St. Lawrence River in a part of Quebec that offers much to explore.

 

Playsages, the theme for this year’s Festival, was a good fit for the three of us. The word is a mash-up of languages, blending ‘play’ with the French word for landscape (paysage). While I’d happily attend the festival any year, this theme told me to make the trip this year, and to take along some younger eyes.

It was a great decision. Six of the 25 gardens on view are new this year, and of these our joint favourite was The Woodstock. This interactive installation is simple in concept and engaging in practice. Both girls climbed up and down the tree stumps, playing a teenage version of King Queen of the Castle. I admired the way the stacked stumps of varying heights defined the space, creating a playground that simultaneously provoked exploration and contemplation.

 

untitled (5 of 14)
Designed by Atelier Yok Yok, this installation was inspired by the stacks of wood gathered by loggers. Pushing the idea, the installation can be seen as an echo of the life cycle of a forest as it is affected by human beings.

 

Not surprisingly, the girls liked the interactive projects the best. They liked splashing around in a shallow pool, wearing the rubber boots provided (Se Mouiller (La Belle échappé) by Groupe A/Annexe U.)  They liked walking through the woods to the quiet spot where a swing hanging from a tree gave a nod to solitary enjoyment (Haiku, by Francisco A. Garcia Pérez & Alessandra Vignotto.) They liked making patterns in the gravel (Around-About, by Roy Talmon & Noa Biran) and loved lying flat on their backs, looking up at the trees and listening to the sound of bells ringing in the wind.

I was equally enchanted by Soundcloud, where the mixed music of the wind and the bells established a dialogue between natural and artificial sounds. The bell-shaped flowers planted around a white cloud-like pouf added a visual element that mirrored this mix.

 

Soundcloud, by , combined natural and created sounds. A round puffy white cloud offered a comfortable place to relax.
Soundcloud, by Johanna Balhaus and Helen Wyss, used ‘bell flowers’ planted in the ground and hung on branches. Each bell produced a different sound.

 

I was less enthralled by I Like to Move It. The girls had fun with this garden, pushing a full-sized tree back and forth along a trench. (The best part, they said, was leaving the tree smack in the middle of a path, forcing people either to walk around it or to move it back into its ‘proper’ place.) For me, though, this installation was a disappointment, despite the fact that the idea of moving trees around and forming different relationships is appealing.  Reasons for my reaction are easy to identify. This installation is in its third year and the wear and tear is showing. One of the original three trees is dead and what used to be a seemingly wild meadow is now a platform covered with wood chips, with the mechanics too obviously visible.

 

Pushing a full-sized tree along a track was fun. Leaving the full-grown tree in the middle of the path was the best bit, according to the girls.
Pushing a full-sized tree along a track was fun but you really need three trees to set up design relationships.

 

We all liked Making Circles in the Water, by Balmori Associates, now in its 7th year. This series of circles leading towards the St. Lawrence River is a successful experiment in seeing, focusing the view and visually connecting the forest to the water. The installation engages the body as well as the eyes and mind; almost no one can resist walking through the circles, skipping and laughing as they do.

 

The optical illusion never fails to delight.
Now an eye-popping black and white, the panels were originally painted in shades of grey, less dynamic but more subtle. I’m not sure which I prefer.

 

Courtesy of Nature was another garden we all liked, not for its playful qualities but for the direct simplicity of its concept and the sense of reverence it established. This garden by Johan Selbing and Anouk Vogel encloses three tall trees in a black box open to the sky. The effect is to focus attention on what could easily be overlooked, to set apart a tiny piece of nature and thereby to transform it into a jewel-like work of art.

 

The black exterior walls blend into the forest; the white interior walls present the trees like works of art.
The black exterior walls blend into the forest; the white interior walls present the trees like works of art in a museum. Not surprisingly, the small evergreen has grown a foot or so since I saw this installation in 2013.

 

A perennial favourite is Hal Ingeborg’s Reflexions colorées, where semi-reflective tinted plexiglass confuses inside and outside views that change seasonally and with the time of day.

 

Which birch tree is where?
Which birch tree is where?

 

For sheer delight, though, our joint favourite of all the gardens was Vertical Line Garden, by Julia Jamrozik and Cory Kempster. I’m told that in previous years the streamers were black and white. While that choice may have been striking, the multi-coloured streamers were pure joy. Sitting on one of the pink chairs beneath was like being in the midst of a gentle hurricane, exciting but non-threatening. It helped that the wind was blowing regularly on the day we were there, but even with the lightest breeze, the streamers would have blown and flown.

 

Some answer must be blowing in the wind.
Was an answer blowing in the wind?

 

Some people question whether installations like these can be called gardens. Perhaps instead they should be asking how these installations modify our ideas about what a garden is, or can be. After all, who would have thought that rubber boots could make you think of bouquets of flowers,

 

Boots of all colours and sizes encouraged people to wade in the pool of Se mouiller.
Boots of all colours and sizes encouraged people to wade in the pool of Se mouiller.

 

or that elastic ribbons could create cat’s cradles in the sky?

Le bon arbre au bon endroit is another long-time installation, by NIP Paysage.
Le bon arbre au bon endroit is another long-time installation, by NIP Paysage.

 


Getting to the International Garden Festival at les jardins de Métis takes time — it is a 6 hour drive from Montreal or a 90-minute flight to the nearby town of Mont Joli. But it is well worth the effort. And in addition to the Festival, there is an historic garden that provides a richly traditional garden experience. I highly recommend both.

The Upper Room Updated

August 7th, 2017 | 10 Comments »
An overview, looking towards the dogwood panels.
  Finishing The Upper Room, the area that honours my mother and her beliefs, was one of my goals for 2017.  I started work on the area last summer, hoping to finish then, but everything took longer than expected. This year, the sand-blasted panels that are the central feature were installed in the spring, the area was planted in early summer, and the final elements were added in July. The dogwood screen remains the crowning glory. It stands at the uppermost of three levels, defining the space without closing it in. I'm particularly happy with

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What a Difference a Month Makes

July 17th, 2017 | 26 Comments »
Looking beyond the nepeta you can see how the Big Meadow is coming along.
Yesterday was Garden Bloggers' Bloom Day. The 15th of the month is when garden bloggers from around the world post photos of what is blooming in their garden. (Thanks to Carol at May Dreams Gardens for hosting this meme.) I haven't been doing this, and I'm not sure I will in the future. But I can't resist showing off one particular bloom at Glen Villa, my garden in rural Quebec. The flower I'm showcasing is Nepeta recemosa 'Walker's Low.' It's a cliché to say that a plant is blooming its heart out,

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Clichés to Live By

July 3rd, 2017 | 15 Comments »
George Bush's statement was a promise not to raise taxes. Did he?
I'm thrilled to announce that an exhibition of neon art I've created will open on July 8 at The Winsor Gallery in Vancouver, British Columbia. The Winsor Gallery features cutting edge contemporary art, and I'm honoured to be exhibiting there, where artists of the calibre of Alexander Calder, Attila Richard Lukacs, Patrick Hughes, Angela Grossman and Fiona Ackerman have been shown. This exhibition gives me special pleasure: the invitation to exhibit came as the result of two garden visits. The first visit happened several years ago when I went to Broadwoodside, a garden near

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An Exchange of Views

June 23rd, 2017 | 9 Comments »
Topiary at Allt-y-bela was stunning.
What happens when two opinionated garden makers visit the garden of a Chelsea award-winning garden designer? Last month, Anne Wareham, Charles Hawes and I visited Allt-y-bela, the home of Arne Maynard, an author and prominent UK garden designer.  We spent several hours wandering around the impressive garden, located in Monmouthshire, Wales; Anne and I spent even more time several weeks later exchanging ideas and responses to what we had seen. Along with running her own garden, Veddw,  (in case you missed my review of Veddw, you can read it here), Anne edits the internationally

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Veddw House Garden

May 22nd, 2017 | 18 Comments »
These hedges were tiny when planted. Very tiny --
 about ankle high. Getting the proportions right must have been a nightmare.
  I'm in England now, about to start on a ten-day garden tour. With my co-host Julia Guest of Travel Concepts in Vancouver, I will take a small group of women to the southwest of England.  But before hitting the road, let me whet your appetite with a review of an extraordinary garden I visited pre-tour. Veddw is the garden of Anne Wareham and Charles Hawes. Located in Wales, just across the border from England in an area of outstanding natural beauty, Veddw pays homage to its surroundings in ways that show respect

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The Upper Room

April 26th, 2017 | 24 Comments »
The hardscaping for The Upper Room was completed last summer.
After months of anticipation, yesterday we installed the glass panels at The Upper Room. The wait was long but it was worth it -- I am thrilled with the results. The Upper Room is a memorial designed to honour my mother and her beliefs. It's a tribute to family and to the traditions I grew up with in Richmond, Virginia, when classically symmetrical architecture, brick, and boxwood shaped our streetscapes and our view of the world. From inception, brick and boxwood were essential elements of the design. So was a sense of embrace. I wanted the

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Garden Plans: I’m Dreaming Again

March 27th, 2017 | 27 Comments »
You can see a bit of the trail on the left side of this photo, taken in 2009. We cleared brush from this area last fall. Some of the wildflowers have disappeared but the site still feels the same. Is this an example of unity persisting despite change?
Now that winter has dumped several feet of snow on a garden that was almost snow-free, I'm back by the fire, metaphorically at least, dreaming of the seasons ahead.   [caption id="attachment_5009" align="aligncenter" width="600"] I took this photo about ten days ago after a fresh snowfall. Today is grey. And maybe more snow will fall. I hope not.[/caption]   I'm dreaming about a trail that will lead around the property. I'm considering the route it will follow and what I will call it. I know the purpose of the trail -- it will connect art

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Experimenting Landscapes: A Book Review

March 13th, 2017 | 10 Comments »
This
Experimenting Landscapes: Testing the Limits of the Garden is the newest book about the International Garden Festival at Métis, Québec. Full of helpful insights from  the author Emily Waugh, the book presents photos and essays analyzing some of the Festival's experimental gardens. Focusing on a selection of gardens from the last ten years, the book suggests five categories or methods of investigation that help readers position the gardens within a larger context.   [caption id="attachment_4966" align="aligncenter" width="300"] This cover photo shows Courtesy of Nature, by Johan Selbing and Anouk Vogel. It is one of

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Looking Back and Forth

December 31st, 2016 | 10 Comments »
Since I didn't do anything about new pots, I shouldn't have a photo to illustrate this goal. But I did use Mandeville vines on the living room deck. I've had these same plants for ten years or so, and they continue to provide abundant blooms and colour.
Last December I took the risky step of setting goals for 2016. So as that year ends and 2017 begins, it's time to assess. How much of what I wanted to do did I actually accomplish? 1. The Cascade: As intended, I modified the plantings around The Cascade. I reduced the number of different types of plants, improved the drainage and the soil in the beds themselves. As a result, the plants flourished and I was content. But of course there are always reservations. The Weigela 'Wine and Roses' needs another year

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