Category Archives: Art

Paths with Pizazz

August 4th, 2019 | 4 Comments »
Many garden paths are ordinary, designed simply to get you from one place in the garden to another. Grass paths, the simplest and least costly type of path to make, appear in gardens so routinely that they almost disappear. Occasionally, though, you'll see a path that stands out. The grass path below is an example. It is well maintained and nicely curved but what lifts it out of the ordinary is the white line that edges it. That line draws your eye along the curve and makes the path itself impossible to ignore.

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Words on the Land

July 7th, 2019 | 8 Comments »
A picture is worth a thousand words, or so the old saying goes. But sometimes a word says all that needs to be said. Or perhaps, more than a thousand pictures can convey. Words label each section of Timelines, the 2.9 km trail that we are opening to the public for the first time on July 20, as a fund-raiser for the Massawippi Foundation. (You can buy your tickets by clicking here.) Words begin the journey at In Transit/En Route, where signs ask questions   [caption id="attachment_7711" align="alignleft" width="5184"] I deliberately

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Perspective

June 9th, 2019 | 11 Comments »
Last week I showed a tiny speck of white at the end of the La Grande Allée. [caption id="attachment_7539" align="alignleft" width="5184"] You can see the drone camera easily in this photo. The speck of white at the end of La Grande Allée is much harder to make out.[/caption]   In that post, I promised a closer view of that hint of white. And here it is.   [caption id="attachment_7572" align="alignleft" width="3792"] Oh, my!  Could you tell from a distance that it was a chair?[/caption]   The white crabapple trees along

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Making History Visible

January 16th, 2019 | 12 Comments »
Making history visible on the land is the concept that guides the projects I undertake at Glen Villa, my landscape and garden in Quebec. Recognizing and honouring what happened on the land before I came onto the scene is my way of hearing the voices of the past. It's my way of listening to what the land has to say. The land speaks in different voices from different times. Glacial erratics talk about the ice age. [caption id="attachment_7240" align="aligncenter" width="3271"] Glacial erratics form part of the waterfall at Glen Villa.[/caption]   A wolf tree standing among younger oaks

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Houghton Hall: A Garden Review

January 6th, 2019 | 8 Comments »
England has many fine gardens. Houghton Hall in Norfolk is one of the finest, offering a stimulating combination of horticulture, contemporary art and history that is far too much to absorb in a single visit. The most popular part of the garden is the five acre Walled Garden. Divided into contrasting areas, the Walled Garden contains a double-sided herbaceous border, an Italian garden, a formal rose parterre, fruit and vegetable gardens, a glasshouse, a rustic temple, antique statues, fountains and contemporary sculptures. With so many aspects, the area could feel muddled or over-crowded,

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The Past Looms Large

November 27th, 2018 | 12 Comments »
For the last eighteen months or more I've been working on an art installation that stretches along a 3-4 km trail at Glen Villa, my garden in Quebec.  The trail moves in and out of fields and forests, and each environment has its own character. When I started the project, the idea behind it wasn't entirely clear. Gradually, working with the land and listening to its story, the project took shape. Time -- how we think about it, experience it and represent it -- was a thread connecting each installation. So several

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Rock Art

November 12th, 2018 | 19 Comments »
Cave paintings on the island of Borneo showing animals and human hands have recently been dated back some 40,000 years, making them the oldest known example of figurative rock art in the world. (Details of the story can be found in various articles, including one here from the Australian Broadcasting Corporation.) Think for a moment about how long ago that is. Forty thousand years. It takes my breath away. I've been fascinated by rock art for many years and have been fortunate to see examples in South Africa, Namibia, Australia, Chile and Peru. While the particulars

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Garden Hits and Misses

September 30th, 2018 | 13 Comments »
At home after three marvellous weeks visiting gardens (and  friends) in England, I find much to criticize in my garden. After many years of travelling, I've come to expect this -- and to accept that a garden in Quebec's harsh weather conditions will never resemble an English garden, with its lush foliage and flowers, topiary and ancient walls. I've also come to expect that gardens other than my own will disappoint me. On every tour I've hosted, there has always been one garden I particularly looked forward to seeing. On

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The Clearing of the Land

August 6th, 2018 | 15 Comments »
For several years now I've been working on a trail that leads through the fields and forests at Glen Villa. Sited along the trail are art installations I'm creating that relate to history, the passage of time and the relationship between art and architecture. I wrote about this for the first time in March 2017. My focus then was to figure out what to call the trail. Thanks to my granddaughter Elinor, there now is a name. Timelines. I like the name. It is short and direct yet suggestive of something

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As the Garden Turns

April 22nd, 2018 | 12 Comments »
Does your garden turn its face to the world or does it veil it off?  The difference says a lot, about you and the style of your garden -- and about the spirit of the times. Recently I spoke to several groups about how to get the most out of garden visits.  Learning to Look: the Art of Garden Observation considers what it takes to really see a garden. A handout for the talk asks some key questions, starting with the garden's context.  How does it relate to the world around it? Is it open to its surroundings or closed off? Topography

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