I read a fair number of blogs related to gardens and landscape design. Recently, many of these have been full of glee about the approach of spring. They’ve showcased crocus peeping above ground and shown snowdrops in profusion.
Where I live, winter is still here and the only garden I see is snow. (Cue Gilles Vigneault: “Mon pays, c’est ne pas un pays, c’est l’hiver. Mon jardin c’est ne pas un jardin, c’est la plaine….” If you don’t know the song, google it here. And wait till Gilles begins to sing before you stop.)
In a garden where winter endures, sculpture plays a significant role, offering something more than a featureless expanse of white.
|Récolte, by Louise Doucet and Satoshi Saito,
an important part of the winter garden at Glen Villa
|Boxwoods disguised as undercover secret agents pose near the aqueduct.
Or are they upside down ice cream cones waiting to melt in the spring?
|A small pond hides under the snow and ice.
It is there, I promise.
|In April the snowdrops should appear.
Change that: in April they will appear.
Those other blogs from warmer places mention iris in bloom and show photos of spring green buds. The pictures make me turn green — with envy. The only colour in my world comes from the turquoise and gold of the Chinese lions, or fu dogs, purchased many years ago in Hong Kong.
|This dog is a female. You can tell because her paw is on top of (squashing?) the baby lion.
Facing her out across the log terrace is a male. His paw rests on an orb to show he rules the world.
My world is white, black and grey — except on good days, when the sky is brilliant blue. That’s when you want to sing in praise of winter, and of poudrerie and froidure.
|Winter in the upper field at the Skating Pond.|
I love winter. As Gilles sings so movingly, it is when snow and wind marry in a white ceremony, when we live between four walls of ice. But enough already!