Metis International Garden Festival

August 22nd, 2017 | 3 Comments »

 

Recently I visited the International Garden Festival at Metis, Quebec. I’ve attended the Festival many times since it first opened in 2000, but in previous years I’ve gone with adults. This year was special — I went with two teenage granddaughters.

 

The festival installations are adjacent to the St. Lawrence River.
The festival gardens are adjacent to the St. Lawrence River in a part of Quebec that offers much to explore.

 

Playsages, the theme for this year’s Festival, was a good fit for the three of us. The word is a mash-up of languages, blending ‘play’ with the French word for landscape (paysage). While I’d happily attend the festival any year, this theme told me to make the trip this year, and to take along some younger eyes.

It was a great decision. Six of the 25 gardens on view are new this year, and of these our joint favourite was The Woodstock. This interactive installation is simple in concept and engaging in practice. Both girls climbed up and down the tree stumps, playing a teenage version of King Queen of the Castle. I admired the way the stacked stumps of varying heights defined the space, creating a playground that simultaneously provoked exploration and contemplation.

 

untitled (5 of 14)
Designed by Atelier Yok Yok, this installation was inspired by the stacks of wood gathered by loggers. Pushing the idea, the installation can be seen as an echo of the life cycle of a forest as it is affected by human beings.

 

Not surprisingly, the girls liked the interactive projects the best. They liked splashing around in a shallow pool, wearing the rubber boots provided (Se Mouiller (La Belle échappé) by Groupe A/Annexe U.)  They liked walking through the woods to the quiet spot where a swing hanging from a tree gave a nod to solitary enjoyment (Haiku, by Francisco A. Garcia Pérez & Alessandra Vignotto.) They liked making patterns in the gravel (Around-About, by Roy Talmon & Noa Biran) and loved lying flat on their backs, looking up at the trees and listening to the sound of bells ringing in the wind.

I was equally enchanted by Soundcloud, where the mixed music of the wind and the bells established a dialogue between natural and artificial sounds. The bell-shaped flowers planted around a white cloud-like pouf added a visual element that mirrored this mix.

 

Soundcloud, by , combined natural and created sounds. A round puffy white cloud offered a comfortable place to relax.
Soundcloud, by Johanna Balhaus and Helen Wyss, used ‘bell flowers’ planted in the ground and hung on branches. Each bell produced a different sound.

 

I was less enthralled by I Like to Move It. The girls had fun with this garden, pushing a full-sized tree back and forth along a trench. (The best part, they said, was leaving the tree smack in the middle of a path, forcing people either to walk around it or to move it back into its ‘proper’ place.) For me, though, this installation was a disappointment, despite the fact that the idea of moving trees around and forming different relationships is appealing.  Reasons for my reaction are easy to identify. This installation is in its third year and the wear and tear is showing. One of the original three trees is dead and what used to be a seemingly wild meadow is now a platform covered with wood chips, with the mechanics too obviously visible.

 

Pushing a full-sized tree along a track was fun. Leaving the full-grown tree in the middle of the path was the best bit, according to the girls.
Pushing a full-sized tree along a track was fun but you really need three trees to set up design relationships.

 

We all liked Making Circles in the Water, by Balmori Associates, now in its 7th year. This series of circles leading towards the St. Lawrence River is a successful experiment in seeing, focusing the view and visually connecting the forest to the water. The installation engages the body as well as the eyes and mind; almost no one can resist walking through the circles, skipping and laughing as they do.

 

The optical illusion never fails to delight.
Now an eye-popping black and white, the panels were originally painted in shades of grey, less dynamic but more subtle. I’m not sure which I prefer.

 

Courtesy of Nature was another garden we all liked, not for its playful qualities but for the direct simplicity of its concept and the sense of reverence it established. This garden by Johan Selbing and Anouk Vogel encloses three tall trees in a black box open to the sky. The effect is to focus attention on what could easily be overlooked, to set apart a tiny piece of nature and thereby to transform it into a jewel-like work of art.

 

The black exterior walls blend into the forest; the white interior walls present the trees like works of art.
The black exterior walls blend into the forest; the white interior walls present the trees like works of art in a museum. Not surprisingly, the small evergreen has grown a foot or so since I saw this installation in 2013.

 

A perennial favourite is Hal Ingeborg’s Reflexions colorées, where semi-reflective tinted plexiglass confuses inside and outside views that change seasonally and with the time of day.

 

Which birch tree is where?
Which birch tree is where?

 

For sheer delight, though, our joint favourite of all the gardens was Vertical Line Garden, by Julia Jamrozik and Cory Kempster. I’m told that in previous years the streamers were black and white. While that choice may have been striking, the multi-coloured streamers were pure joy. Sitting on one of the pink chairs beneath was like being in the midst of a gentle hurricane, exciting but non-threatening. It helped that the wind was blowing regularly on the day we were there, but even with the lightest breeze, the streamers would have blown and flown.

 

Some answer must be blowing in the wind.
Was an answer blowing in the wind?

 

Some people question whether installations like these can be called gardens. Perhaps instead they should be asking how these installations modify our ideas about what a garden is, or can be. After all, who would have thought that rubber boots could make you think of bouquets of flowers,

 

Boots of all colours and sizes encouraged people to wade in the pool of Se mouiller.
Boots of all colours and sizes encouraged people to wade in the pool of Se mouiller.

 

or that elastic ribbons could create cat’s cradles in the sky?

Le bon arbre au bon endroit is another long-time installation, by NIP Paysage.
Le bon arbre au bon endroit is another long-time installation, by NIP Paysage.

 


Getting to the International Garden Festival at les jardins de Métis takes time — it is a 6 hour drive from Montreal or a 90-minute flight to the nearby town of Mont Joli. But it is well worth the effort. And in addition to the Festival, there is an historic garden that provides a richly traditional garden experience. I highly recommend both.

A Mid-Summer Check Up

August 14th, 2017 | 5 Comments »
I can't identify the plant exactly -- I gathered seeds from plants that were growing along a nearby road.
In the middle of August, the garden feels different. It's not as fresh or vibrant, not as satisfying. This makes it tempting to move into planning mode. But first, I need to review the goals I set for the year, to assess what still needs to be done. One goal was to hold a second Open Garden Day. I checked that off in July. Another was to let the garden express itself. This is a goal that will never be finished. But I'm doing my best, letting nature take its course in the fields and

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The Upper Room Updated

August 7th, 2017 | 10 Comments »
An overview, looking towards the dogwood panels.
  Finishing The Upper Room, the area that honours my mother and her beliefs, was one of my goals for 2017.  I started work on the area last summer, hoping to finish then, but everything took longer than expected. This year, the sand-blasted panels that are the central feature were installed in the spring, the area was planted in early summer, and the final elements were added in July. The dogwood screen remains the crowning glory. It stands at the uppermost of three levels, defining the space without closing it in. I'm particularly happy with

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Now for a Rest!

July 31st, 2017 | 14 Comments »
As the day began, I snapped one photo of cars parked in the field. It was the last photo I took for the day.
The last few weeks have been busy. Preparing the garden for visiting groups and getting everything in place for Saturday's Open Garden Day has been fun, but also a lot of work. And now that August is here, I'm ready to put my feet up -- for a day or two, at least. But first, I want to thank the 20 volunteers who worked at the Open Garden Day. They made the day a success, and I couldn't have done it without them. The weather cooperated beautifully, and the day

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You are Invited!

July 23rd, 2017 | 6 Comments »
Glen-Villa-Open-House-2017-eng-1200x800
It's less than a week until our second annual Open Garden Day. I'm ready for it, bilingual volunteers are prepped, and the garden is looking fine. So I hope I'll see you here, next Saturday between 10 and 4. There's no need to reserve a spot, and all are welcome, with admission payable on site. (No dogs or picnics, please.) Here are the details.     And here's a preview of what you'll see. The Cascade by the house ...   [caption id="attachment_5399" align="aligncenter" width="1425"] The yellow Ligularia add a nice

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What a Difference a Month Makes

July 17th, 2017 | 26 Comments »
Looking beyond the nepeta you can see how the Big Meadow is coming along.
Yesterday was Garden Bloggers' Bloom Day. The 15th of the month is when garden bloggers from around the world post photos of what is blooming in their garden. (Thanks to Carol at May Dreams Gardens for hosting this meme.) I haven't been doing this, and I'm not sure I will in the future. But I can't resist showing off one particular bloom at Glen Villa, my garden in rural Quebec. The flower I'm showcasing is Nepeta recemosa 'Walker's Low.' It's a cliché to say that a plant is blooming its heart out,

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Vancouver Gardens

July 10th, 2017 | 14 Comments »
this Japanese maple is in my brother-in-law's garden, a beautifully cool and shady spot.
I'm on my way back to Quebec now, after five days in Vancouver. It's been a terrific trip. The weather has been spectacular and the opening of my exhibition, Clichés to Live By, was a huge success -- lots of people of all ages and lots of positive feedback. Along with visits to the Winsor Gallery to see the show, I've been walking around Kitsilano, the area of Vancouver where I stayed. 'Kits' was named after a Squamish chief, August Jack Khatsahlano. Once it was a dense wildlife-filled forest; now Craftsman-style houses

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Clichés to Live By

July 3rd, 2017 | 15 Comments »
George Bush's statement was a promise not to raise taxes. Did he?
I'm thrilled to announce that an exhibition of neon art I've created will open on July 8 at The Winsor Gallery in Vancouver, British Columbia. The Winsor Gallery features cutting edge contemporary art, and I'm honoured to be exhibiting there, where artists of the calibre of Alexander Calder, Attila Richard Lukacs, Patrick Hughes, Angela Grossman and Fiona Ackerman have been shown. This exhibition gives me special pleasure: the invitation to exhibit came as the result of two garden visits. The first visit happened several years ago when I went to Broadwoodside, a garden near

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Garden Visitors

June 27th, 2017 | 12 Comments »
I want to add a tall spiky plant that pops up through the Nepeta at occasional spots and tones in with the barberry and rusty steel.  I'm trying several possibilities this year, including early summer blooming Eremurus 'Cleopatra.' I've ordered the bulbs for fall planting.
This week the first group of gardeners will be coming to tour Glen Villa. Forty plus members of the Ottawa Garden Club will spend the morning  here, on what I'm hoping will be a sunny day. They are coming at a good time -- the garden is looking fabulous. I rarely write a blog post that's only about flowers, but this week the blooms are so spectacular that it's worth showcasing their beauty. The Aqueduct, where last year I added Nepeta 'Walker's Low', Ruby Carousel barberry and Porteranthus (formerly Gillenia trifoliata) to existing boxwood balls,

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An Exchange of Views

June 23rd, 2017 | 9 Comments »
Topiary at Allt-y-bela was stunning.
What happens when two opinionated garden makers visit the garden of a Chelsea award-winning garden designer? Last month, Anne Wareham, Charles Hawes and I visited Allt-y-bela, the home of Arne Maynard, an author and prominent UK garden designer.  We spent several hours wandering around the impressive garden, located in Monmouthshire, Wales; Anne and I spent even more time several weeks later exchanging ideas and responses to what we had seen. Along with running her own garden, Veddw,  (in case you missed my review of Veddw, you can read it here), Anne edits the internationally

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